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ART & CULTURE

          
What Are Trees Good For?

July, 2004
By Nacho Cadena

It was around ten o'clock that morning, I picked up my white hat with the wide brim and my wicker basket, the only thing I had prepared carefully, nearly meticulously. I aimed my car southwards and by then the heat of Vallarta was already starting to play its games. How pleasant!

With the same admiration as always, I took the highway to Conchas Chinas, Mismaloya, La Boca de Tomatlán, the more you see of the ocean, the more you like it and if the traffic allows you to turn left, you end up captured, charmed by the magic of the jungle of the mountain. How can it be that Nature should be able to create that range of greens all by herself?

I had decided in the morning to visit that nearby village called El Tuito. I had no schedule to follow, no appointments, no commitments. just my whim of gaining one day of life traveling around the roads, visiting their nearest neighbors: the ocean and the mountains.

The road begins to move away from the coastline and Nature is changing her skin, and without radio or stereo in between, I hear the harmonious chords of Beethoven's Fifth Symphony announcing this visual metamorphosis of everything that surrounds us.

When you pass Boca, you lose sight of the ocean, but right away I found myself along the Río Los Horcones, with that immense volume of water that flows downstream, snorting, and then splits in two when it comes upon the huge rocks that lie in the river; rocks in the shape of woolly mammoths, elephants, volcanoes, look at them carefully and you will keep on finding different shapes. I can hear the noise of the water all the way to here, all the way to the road.

It's a real problem, you have to keep on stopping, you catch glimpses of the coconut palms, the majahuas, the parotas, even the barcinos and you have no choice, you have to stop and greet them all. The rocks in the mountains are full of water rivulets that sometimes just drip, sometimes they spray like a shower and sometimes they combine to form small waterfalls that end up in the ditch alongside the road and then escape mischievously in search of their level of the topography.

In a straight line, without stopping so often, it doesn't take more than 40 minutes to reach El Tuito. The climate has changed already. It is cooler. Incredible, two localities so close to each other and yet so different in climate and vegetation. There is no more jungle, now there are woods. There is no more heat, now it is cool.

Without realizing it, I passed the village and there along that curve to the left, right at the top of the hill, I perceive an enormous cedar, with a huge canopy and without asking anyone, I decide that it will be my destination that day.

Like a magic carpet, I spread that cool cloth of mine on the ground, the same one that has accompanied me ever since my native Hermosillo; its sole purpose is to establish territorial limits between what's mine and what belongs to the ants and other bugs that inhabit the area. I am just an intruder with the desire to ask them to lend me a little plot under that cedar tree and thus gain one day of life filled with happiness.

With great care, worthy of the very best, I lower the wicker basket that -along with Nature- I have never lost sight of. One by one, I take the contents out of it. By now it is two in the afternoon and it turns out to be a real treasure: a few slices of prosciutto ham, a hunk of country-style paté of rabbit, two good portions of cheese, one Camembert and the other Roquefort, extremely blue I might add, a fistful of red cherries and a big chunk of rye bread. Of course, there's the bottle of red wine there too, a Côte du Rhône, not bad for the occasion.

I took out my "Opelier" (the big knife that French chefs bring with them to the markets to cut into the merchandise with) and I gave it the first slice of bread.

I found myself in great company. No one spoke Spanish, but they all understood that language that is spoken among little animals in the fields.

Once I finish my country banquet, I share the crumbs with visiting bugs and I lie down with my arms behind my head in lieu of a pillow, looking up into that cedar's huge web of foliage that acts as an enormous umbrella for me.

Little by little, I lose focus and in a state that is neither awake nor asleep, sheltered under the immense tree, I meet the elegant, discreet figure of Allegra, my personal counselor on the beautiful things in life.

We were in front of some woods, an army of trees, of distinct shapes, various heights, different foliage and colors.

What Are Trees Good For?

Out of the blue, I ask Allegra, "What are trees good for?"

To give shade. To host pilgrims under its foliage. To serve as a pretty shelter with its shade for the field workers' lunch and the visit from their beloved ladies. To give shade and cool the traveler. To serve as an umbrella for the farm worker when it rains. To give shade, Allegra repeats between gritted teeth.

So that the birds may build their nests in it and procreate to fill the world with song and joy and decorate the skies with their pirouettes in flight.

Trees serve to bring happiness to children, so that they may hang swings and ropes from its branches and build tree houses on their trunks.

They serve for children to climb on, along with their cats, and for them to hide in.

Paper comes from trees, so they serve for poets to write poems and writers to write stories, novels, tales.

For the romantic ones, to embrace beneath the tree or to carve that heart with an arrow in it that says "John loves Mary".

For lightning to strike them and not cause damage to neighbors and also for the doggie to answer his calls of nature.

To Be Humble

Trees serve to make us humble, sensitive, prudent, realistic. That happens when you fall off the highest branch of the tree. They serve to teach women to flirt, to show them how to swing their hips, how to move, like they do when they sway in the wind. They serve to teach us men and women, when the wind is strong, how to bend without ever cracking, or breaking.

They serve for the magical hands of artists to make beautiful figures out of their trunks like those made with ironwood by Maria Astorga in the desert of the Seris Indians.

To Give Shade

To purify the air, to oxygenate the atmosphere. To avoid erosion.

The hours passed. I fell asleep after that exercise that began with my question, "What are trees good for?"

For a man to open up his wicker basket under its shade, cut a chunk of bread, enjoy a few slices of good prosciutto ham and quench his thirst with a swig of wine, to share a moment of life with the bugs of the field and invoke his Allegra and create his own special setting to ask himself: "What are trees good for?"

I leave you with that thought.

Nacho Cadena
nachocadena@lapetitefrance.com.mx

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